Mo s h e Ni n i o Born (1953) and lives in Israel. Recent solo exhibitions: Stedelijk Museum voor Actuele Kunst, Ghent, Belgium(1998), Mary Fauzi Gallery, Jaffa (2000), Chantal Crousel Gallery, Paris (2001); recent group exhibitions: Time for Art, Tel Aviv (2002), Art Focus, Jerusalem (2003), Centre Pompidou, Paris (2008).
Kythira (1996) is a video of a projection within a projection, which clumsily mimics a commercial pilot. As a tin can of honey is gradually emptied, we can discern – with increasing clarity – a projection of passersby that seem to have been captured by a CCT camera at a mall. The background noises are typical of non-places devoted to consumption. The work thus alludes to the exhibition site – a future shopping mall. This installation is shaped by Moshe Ninio’s signature manner of juggling the status of the vacant imageobject and its repeated mis-en-scene in non-places. In Shadow (Small Light Box) (2004), a paradoxical commercial for a kind of “carpet” composed of dry leaves, tree bark and other leftovers forms a semi-abstract surface. The critique, in this case, is not performed by means of the light box; the light box itself is the scene of the crime.
